Verlaßen und Bleiben, 2019

Lithograph on paper, 76 cm x 56 cm, cabinet, dimensions variable.

Fense (I), 2018

Silkscreen on paper, 101.6 cm x 137.2 cm

Fense (III), 2018
Silkscreen on paper, 101.6 cm x 137.2 cm

Out of Mind, 2017

Allotment fragment, recovered and repaired. Missing information. Zen. Ridiculous.

Out of Mind II, 2018, Lithograph on paper, 70 cm x 50 cm

Out of Mind, 2017, lithograph on paper. 30 cm x 20 cm

Left, 2017

In heavy industry’s lost-property office, the smell of sleeping oil, the monument that no-one sees. These are the relics of history’s assembly line, stopped, and clocked out.

G4834, 2017. Lithograph on paper. 2x 2. 42 cm x 59.00 cm

TGWGMB, 2018. Aquatint, Sugar-lift aquatint, Spit-bite etching on paper. Plate size: 31 cm x 26.5 cm. Paper size 48.5 cm x 45.5 cm. Artist’s proof.

WW, 2017, woodcut print. Engine oil and ink on paper. 59 cm x 84 cm.

TGWU, 2017, letter press, monotype print. Oil on paper. 29.7 cm x 21 cm

Station Ends, 2016

A series of monotype prints on the melancholia of the railway station. A solitary moment in a public space between trains, between lives.

PN, 2016. Monotype print

Water-soluble graphite on Japanese paper. 15 cm x 20 cm

Multi-panel monotypes from the Station Ends series. Water-soluble graphite on Sanmore paper. Stained ash wood frames.

ST, 2016. Nine panels. 2.7 m x 1.8 m

BNS, 2016. Four panels. 1.9 m x 1.26 m

PN, 2016. Four panels. 1.26 m x 1.9 m

Review:

http://www.artinliverpool.com/review-ed-bruce-stations-ends/

Spire, 2006

Series of etchings, embossments, mono and collotype prints translating ascending architectural glory into descending gothic anxiety.

Welsh Presbyterian: 20 cm x 50 cm

Double SXF: 88 cm x 113 cm